To save and access code changes, the app supports file saving, loading, and drag-and-drop features. Making use of the DualView app pattern, users can quickly test out code ideas in a variety of orientation configurations. This source editor sample features an HTML editor and formatter that enable real-time editing and previewing of formatted source code. Dual-screen view of app (landscape) Source Editor To save any changes made, click the Save button and a copy of the edited image will be saved to the device’s photo gallery (Figure 3).įigure 3. As is characteristic of the Companion Pane pattern, the number of visible controls increases when the app is spanned across both screens (see Figures 1 and 2).įigure 2. Importing an image through drag and drop EditĪ variety of controls are available to edit image properties, such as brightness, saturation, and warmth. Click on the currently displayed image to select a new image from the device’s photo gallery, or just drag and drop an image file over the currently displayed image (Figure 1).įigure 1. The Photo Editor app lets users perform three main actions: SelectĪlthough the application provides a default image, users can also import other photos for editing. It demonstrates the companion pane UX pattern and how to take advantage of drag and drop on dual screens. Photo EditorĪs the name suggests, this sample is a simple photo editing app. You can find them on GitHub at /microsoft/surface-duo-app-samples. Kristen and I are interns on the Surface Duo Developer Experience team, and we’re excited to announce two new Microsoft Surface Duo dual-screen samples available that embody some of our dual-screen UX patterns.
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After initially publishing our Season 1 list, we’ve now gone back and added Season 2 sketches to form a complete ranking. But when we decided to rank the sketches, we decided first and foremost this wouldn’t be a ranking of every sketch from best to worst - because there is no “worst.” There are only sketches worth celebrating. While “I Think You Should Leave” is clearly not built to be a broadly accessible comedy, anyone who dials into its specific humor frequency are bound to appreciate aspects of every sketch. In the days leading up to the new batch of episodes, a few writers at IndieWire started re-watching Season 1 sketches and got to talking about which were the best, and which were the very best. Still more might be forgotten, only to be rediscovered in the long days between Season 2’s release and that of the (yet-unconfirmed) third season. Others are being repurposed based on the day’s news. Thankfully, the wait ended there, and now comedy fans can savor a whole new batch of sketches. Tuesday, July 6 marked two years, two months, and 13 days since series co-creators Tim Robinson and Zach Kanin released new episodes of “I Think You Should Leave.” At that time, it’s doubtful anyone realized what kind of impact these first 29 sketches would have on our culture a man in a hot dog costume is now visual shorthand for shunning responsibility, and an old man dabbing became someone to laugh with, not at. The role of the card changes dramatically, and this is the case for most traditional Lightning Bolt targets. In cEDH, Ragavan is an early-game value piece which you use to pressure the Ad Nauseam player. In 60-card constructed, Ragavan is a threat that can end a game. Rather, consider it a "Ragavan is different" argument. Now, I'm as big a fan of Ragavan in my red cEDH decks as the next guy, so don't misconstrue this as a "Ragavan is bad" rant. They're also the kind of creatures that lose their primary function in cEDH. These are the kinds of threats that can run away with a 20-life game. Small creatures which pack a wallop if left unaddressed, frequently capable of closing out the game on their own. Well, as I've mentioned throughout these first few words, Lightning Bolt is excellent at keeping low-cost threats in check: Ragavan, Nimble Pilferer, Delver of Secrets, early-game Tarmogoyf s, you name it. So why don't we see more Lightning Bolt in cEDH? There's no denying that Lightning Bolt is a Constructed all-star, putting tremendous pressure on efficient threats as they emerge. Vintage has a tendency to outpace creature spot-removal, but even so Lightning Bolt ranks among the first choices for those decks running red. Nearly 50% of decks in the Modern metagame play it right now, and while a bevy of 4+ toughness threats in Legacy have pushed bolt lower in the rankings in favor of the Red Elemental Blast and Pyroblast pair, it nonetheless remains a key piece of removal capable of dealing with most non-Murktide threats. Lightning Bolt is a keystone card everywhere it's legal. Benjamin (London: Routledge, 1992), 52.Ħ. Horkheimer and Adorno, Dialektik der Aufklärung, 17–18, 32–34, 74–76 Dialectic of Enlightenment, 11–12, 26–28, 67–68.ħ. Jean-Francois Lyotard, The Postmodern Condition: A Report on Knowledge, trans. Bernstein, “Art against Enlightenment: Adorno's Critique of Habermas,” in The Problems of Modernity: Adorno and Benjamin, ed. Ashton (London: Routledge & Kegan Paul, 1973), 320 Adorno, Against Epistemology: A Metacritique, Studies in Husserl and the Phenomenological Antinomies, trans. Hinkel (New York: Dodd, Mead, 1916) Rudolf Bultmann: “New Testament and Mythology,” in Kerygma and Myth, ed. Hartknoch, 1786–92) Carl Gustav Jung, The Psychology of the Unconsciousness: A Study of the Transformation and Symbols of Libido, A Contribution to the History of the Evolution of Thought, trans. Verlag, 1856) Johann Gottfried Herder, Ideen zur Philosophie der Geschichte der Menscheit (Riga: J. von Schelling Einlietungin die Philosophie der Mythologie, in Saemmtliche Werke (Stutgart: J. Muller, Comparative Mythology (New York: Arno Press, 1977).Ĥ. Friedrich W. Black, 1899) Jane Harrison, Epilegomena to the Study of Greek Religion (Cambridge: Cambridge University Press, 1921) Max F. Dotty, Mythography: The Study of Myths and Rituals (London: The University of Alabama Press, 2000), 11 Bruce Lincoln, Theorizing Myth: Narrative, Ideology and Scholarship (Chicago, IL: University of Chicago Press, 1999), 49–50 Milton Scarborough, Myth and Modernity, Postcritical Reflections (New York: State University of New York Press, 1994), 13, 106 Porter, The Enlightenment, 1–5, 11, 70–71, 75 Ernst Cassirer, The Myth of the State (New Haven, CT: Yale University Press, 1946), 82–83.ģ. Edward Bennet Taylor, Primitive Culture (New York: Harper, 1958) James George Frazer, The Golden Bough: A Study in Magic and Religion (New York: The Macmillan Co., 1922) William Robertson Smith, Lectures on the Religion of the Semites, First Series, The Fundamental Institutions (Edinburgh: Adam and C. The essay does not discuss enlightenment as a historical movement but as a particular philosophical and political ideal.Ģ. Philiph Stambovsky, Myth and the Limits of Reason (Dallas, TX: University Press of America, 2004), 2–3, 7, 11 William G. Be that as it may, the present essay is focused on the Dialectic of Enlightenment's criticism of the affinity of enlightenment on the one hand and instrumental reason and conceptual thought on the other. However, nowadays many scholars argue that as a historical and social phenomenon Enlightenment was heterogeneous and thus its characterization by the prevailing generalizations is simplistic and doomed to overlook its complexity. According to the Dialectic of Enlightenment, and within the framework of the philosophical discussion which developed following its publication, enlightenment refers to the homogeneous movement that is identified with a distinctive set of ideas and stances (rationalism, criticism, progress, social and political involvement, etc.). The concept of enlightenment is quite controversial. John Cumming (New York: Herder & Herder, 1972), 4–5 Roy Porter, The Enlightenment (London: Macmillan Press, 1990), 1–2, 8–10 Dorina Outram, The Enlightenment (Cambridge: Cambridge University Press, 1996) 1, 3, 4, 6, 8, 12. Adorno, Dialektik der Aufklärung (Frankfurt: Fischer, 1969), 10–11 Dialectic of Enlightenment, trans. |